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Current Exhibitions

 

salt 10: Conrad Bakker

September 12, 2014–February 8, 2015
Conrad Bakker makes imprecise, to-scale replicas of objects like books, photographs, chairs, and motorcycles out of wood and paint to investigate the creation of value and economic systems. Often inserting his handmade facsimiles into the commercial realms of their real commodity counterparts, Bakker circumvents the art market, challenges postmodern perceptions of authorship and authenticity, and questions the distinction between originality and appropriation.

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Krishna: Lord of Vrindavan

August 8-November 20, 2014

A companion exhibition to Moksha: Photography by Fazal Sheikh, Krishna: Lord of Vrindavan explores the Hindu god Krishna through sacred and secular artworks, dating from the 11th century to the 20th, from the Museum's Asian art collection. Krishna promised followers that through bhakti (devotion) to him, one could gain moksha (salvation). The exhibition will be presented in the Museum's Emma Eccles Jones Education Gallery.

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Moksha: Photography by Fazal Sheikh

July 11–November 30, 2014

Moksha: Photography by Fazal Sheikh weaves together the artist-activist's portraits and the stories of a community of widows in the Hindu pilgrimage site of Vrindavan. A marginalized segment of Hindu society since ancient times, widows, many of them dispossessed of home and family, have few places of sanctuary. In Vrindavan, a city holy to the Hindu god Krishna, these women chant and pray every day in the hopes of obtaining moksha, release from the constant cycle of death and rebirth. The exhibition, comprising forty photographs by Sheikh, is on loan from the Princeton Museum of Art. Fazal Sheikh has worked as a photographer since graduating from Princeton University in 1987. Primarily through portraits, he brings attention to marginalized peoples and groups around the world. His other projects include Ladli, A Camel for the Son, and Ramadan Moon. He has won numerous awards including the Henri Cartier-Bresson International Grand Prize and a MacArthur Fellowship.

On loan from Princeton University Art Museum.

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Creation and Erasure:
Art of the Bingham Canyon Mine

May 30–September 28, 2014

Northern Utah’s Bingham Canyon Mine, the largest man-made excavation on earth, has been a source of fascination and inspiration for artists around the country since the mine’s earliest days. Spanning 1873 to the present, this exhibition presents paintings, drawings, prints, and photographs that examine the mine from a variety of perspectives, tracing its physical development as well as its effects on the local economy, culture, environment, and people. Featured artists include Jonas Lie, William Rittase, Andreas Feininger, Jean Arnold, Edward Burtynsky, Robert Smithson, and the Center for Land Use Interpretation, among others. The exhibition also includes photographs of the mine after the massive landslide of spring 2013, the effects of which continue to impact both the mine’s operations and the local economy.

PRESENTING SPONSOR:

SUPPORTING SPONSORS:
S. J. and Jessie E.Quinney Foundation | Ray, Quinney & Nebeker Foundation
UMFA's Friends of Utah and Western Art (FUWA)

COMMUNITY PARTNER:

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