Creation and Erasure:
Art of the Bingham Canyon Mine
May 30–September 28, 2014
Northern Utah’s Bingham Canyon Mine, the largest man-made excavation on earth, has been a source of fascination and inspiration for artists around the country since the mine’s earliest days. Spanning 1873 to the present, this exhibition presents paintings, drawings, prints, and photographs that examine the mine from a variety of perspectives, tracing its physical development as well as its effects on the local economy, culture, environment, and people. Featured artists include Jonas Lie, William Rittase, Andreas Feininger, Jean Arnold, Edward Burtynsky, Robert Smithson, and the Center for Land Use Interpretation, among others. The exhibition also includes photographs of the mine after the massive landslide of spring 2013, the effects of which continue to impact both the mine’s operations and the local economy.
salt 10: Conrad Bakker
Opens September 12, 2014
Conrad Bakker makes imprecise, to-scale replicas of objects like books, photographs, chairs, and motorcycles out of wood and paint to investigate the creation of value and economic systems. Often inserting his handmade facsimiles into the commercial realms of their real commodity counterparts, Bakker circumvents the art market, challenges postmodern perceptions of authorship and authenticity, and questions the distinction between originality and appropriation.
Opens September 26, 2014
American sculptor Tony Feher has been changing the way we see the world for the past three decades. With a hyper-awareness of the formal qualities of everyday objects-bottles, tape, plastic bags-Feher turns unconsidered, often-discarded materials into poetic sculptures and elegant installations. For this exhibition, the UMFA has invited Feher to help us re-imagine the architecture of our Great Hall with a brand new site-specific installation.
The Faculty Show
October 24, 2014-January 11, 2015
This triennial exhibition showcases the newest work by the University of Utah's Department of Art and Design faculty and celebrates the working artists who inspire the community through their creative output and their teaching.
Our America: The Latino Presence in American Art
from the Smithsonian American Art Museum
February 6-May 17, 2015
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum's pioneering collection of Latino art. It explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture.
Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo, and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for Treasures to Go, the Museum's traveling exhibition program, comes from The C.F. Foundation, Atlanta, Georgia.