December 19, 2014-July 26, 2015
The presence of text in art has greatly increased in the modern era, but the relationship of language and visual art have a much longer history. [con]text examines this history as represented in the UMFA's permanent collection. From an ancient Egyptian wall relief to medieval illuminated manuscripts to the contemporary practices of John Cage, Bruce Nauman, and Willie Cole, this exhibition looks at the way visual artists have harnessed the power of language to document, to inspire, to inform, and to persuade. [con]text also explores how language itself constantly evolves, leading to both the loss and creation of meaning.
Our America: The Latino Presence in American Art
from the Smithsonian American Art Museum
February 6-May 17, 2015
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum's pioneering collection of Latino art. It explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture.
Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez; Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for Treasures to Go, the museum's traveling exhibition program, comes from The C.F. Foundation, Atlanta.
The British Passion for Landscape:
Masterpieces from National Museum Wales
August 29-December 13, 2015
Drawn from the remarkable collections of National Museum Wales, The British Passion for Landscape offers visitors a rare opportunity to follow, in a single span, the rise of landscape painting in Britain through works from such masters as Claude Monet, J. M. W. Turner, John Constable, Thomas Gainsborough, and Richard Wilson. The exhibition unfolds a story that runs from the Industrial Revolution, through the eras of romanticism, impressionism, and modernism, to the postmodern and post-industrial imagery of today. The work references both the poetry of landscape and the environmental threats posed by industrialism—key themes that persist in British art today and that will resonate with Utah audiences. The exhibition is organized by the American Federation of Arts (AFA) and National Museum Wales. Curators are Tim Barringer and Oliver Fairclough.