Featuring more than one hundred works by nearly eighty artists from the 1920s to the present, Black Refractions: Highlights from The Studio Museum in Harlem surveys nearly a century of creative achievements by artists of African descent.

Where does water in Salt Lake Valley come from? Where does it end up? In Confluence the Utah Museum of Fine Arts, in collaboration with six local organizations, explores this essential component of our daily life.

In the late 1960s, Robert Smithson’s “nonsites” radically challenged the limits of sculptural practice and paved the way for the artist’s construction of Spiral Jetty (1970).

An installation inspired by the artist's hike around Great Salt Lake.