Susan B. Anthony stands with a group of Women Suffrage Leaders in a group in front of Hotel Utah in 1915 behind the groups a banner reads We demand an amendment to the US Constitution Enfranchising Women.
ACME Lab: Utah Women Working for Better Days!
March 4 - December 6, 2020

Utah Women Working for Better Days!, celebrates a number of voting rights anniversaries in 2020, including the 150th anniversary of Utah as the first place where women voted in the modern nation.

A set of 7 nested V-shaped cream colored metal boxes are lined up from small to large forming a tiered shaped meant to resemble a strip mine. They are filled with coal. Robert Smithson, Nonsite, Site Uncertain, 1968
Robert Smithson’s Nonsite, Site Uncertain (1968)
March 14, 2020 - February 1, 2021

In the late 1960s, Robert Smithson’s “nonsites” radically challenged the limits of sculptural practice and paved the way for the artist’s construction of Spiral Jetty (1970).

Spencer Finch, Great Salt Lake and Vicinity (detail)
Spencer Finch
On view now

An installation inspired by the artist's hike around Great Salt Lake.

HENDRICKS, L. BARKLEY, LAWDY MAMA, 1969, OIL AND GOLD LEAF ON CANVAS. PUBLISHED BY THE STUDIO MUSEUM IN HARLEM, GIFT OF STUART LIEBMAN, IN MEMORY OF JOSEPH B. LIEBMAN, 1983.25. © ESTATE OF BARKLEY L. HENDRICKS.
Black Refractions: Highlights from The Studio Museum in Harlem
January 23 - April 11, 2021

Featuring more than one hundred works by nearly eighty artists from the 1920s to the present, Black Refractions: Highlights from The Studio Museum in Harlem surveys nearly a century of creative achievements by artists of African descent.

HENDRICKS, L. BARKLEY, LAWDY MAMA, 1969, OIL AND GOLD LEAF ON CANVAS. PUBLISHED BY THE STUDIO MUSEUM IN HARLEM, GIFT OF STUART LIEBMAN, IN MEMORY OF JOSEPH B. LIEBMAN, 1983.25. © ESTATE OF BARKLEY L. HENDRICKS.
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