A person carefully cleans a painting.

By Lorraine Jackson, UMFA assistant registrar and Kenley Alligood, UMFA membership manager

The Utah Museum of Fine Arts acquires new objects into its permanent collection to help continue its mission to inspire critical dialogue and illuminate the role of art in our lives. The steps of the accession process are critical to ensuring that the art will be appropriately cared for and conserved for future generations. But how does the process work? 

Art is acquired into the UMFA’s collection though both purchase and donation. Below we’ll explore how a donated object joins the collection. 

Step 1:  

First, donors contact curators at the Utah Museum of Fine Arts via an art donation offer form.

An art donation offer form.

Step 2:  

Next, a curator researches the proposed gift to see if it fits within the museum’s collecting scope and mission. Often curators will schedule an in-person viewing of the artwork. In addition to remaining compliant with the guidelines for ethical acquisition outlined by the Association of Art Museum Directors the UMFA takes additional steps to ensure ethical acquisition practices as a part of the Museum’s continuing mission to decolonize the museum.

An abstract painting using large swipes of red, blue, and white paint.
Judith Godwin, American, 1930-2021, Maze II, 1976, Oil on canvas, Gift of William E. Hague, conserved with funds from the Ann K. Stewart Docent and Volunteer Conservation Fund, UMFA1984.080

Step 3:  

The artwork is then presented to the UMFA Collections Committee for approval. The variety of expertise and viewpoints on this committee ensures the museum considers all aspects of acquiring a new object: The artwork’s ability to enrich the permanent collection, connect to and inspire our community members, and an evaluation of the UMFA’s ability to appropriately care for and store the object. 

A group of young students sit on the floor and listen to a docent.
Students participating in a Creative Leaps field trip seated in the Arts of the Pacific gallery.

Step 4:  

If approved, the object will come on-site for physical assessment and undergo cataloguing (including notating provenance, description, dimensions, and insurance documentation), photography, and permanent storage housing.

Two people stand on step stools on either side of a painting and secure it for storage.
Members of the UMFA collections team secure Indian Waiting in Washington, DC for storage.

Step 5: 

The collections team performs a condition check. Based on the object’s condition, due to factors such as the object’s age and materials, conservation treatment may be required for long-term preservation.

A person carefully cleans a painting.
Paintings conservator Yasuko Ogino carefully cleans a painting on-site at the UMFA.

In the case of a recent donation, Fritz Scholder’s Indian Waiting in Washington, DC, conservation by a paintings conservator was necessary to ready the work for public access.

Step 6:

The work will then join the permanent collection in collections storage where it is cared for by the Collections department. If slated for exhibition, preparations begin for safe public display. This includes framing, gallery design, label development, and scheduling installation.

A person stands next to a colorful painting in storage.
Associate registrar, Ansleigh Herrera, gives a tour of the UMFA collections facilities.

Step 8:  

Finally, Gallery preparation and installation begins, and the art goes on view!

A group of people carefully install a large mosaic.
The UMFA collections team installs Shahzia Sikander’s glass mosaic Touchstone.

The Utah Museum of Fine Arts is immensely grateful for the generous gifts that have granted Utahns access to incredible art and allowed the UMFA to conserve the pieces for generations to come. Visit the UMFA today to see some of these gifts for yourself. Incredible gifts like Maze II and Indian Waiting in Washington, DC are on view now in the Global and Contemporary gallery!


Featured Image Credit: Fritz Scholder, American and Luiseño (Payómkawichum), 1937-2005, Indian Waiting in Washington, DC, 1977, Oil on canvas, Gift of Tyrene Christopulos, UMFA2023.17.1