A colorful image of a buddha surrounded by smaller figures in different action scenes.

Gateway to Himalayan Art introduces the main forms, concepts, meanings, and religious traditions of Himalayan art with objects from the collection of the Rubin Museum of Himalayan Art, New York. A large multimedia map at the start of the exhibition orients viewers to the greater Himalayan region, which encompasses Indian, Nepalese, Bhutanese, and Tibetan cultures as well as interrelated Mongolian and Chinese traditions. Gateway invites exploration of these diverse cultural spheres through exemplary objects presented in three thematic sections: Symbols and Meanings, Materials and Technologies, and Living Practices. It also includes voices from Himalayan artists and contemporaries, along with connections to related digital content to learn more.     

The exhibition features sculptures, Tibetan scroll paintings (thangkas), ritual implements, medical instruments, and instructional paintings, as well as a stupa and prayer wheel. The commissioning, creation, and use of such objects are tied to the accumulation of merit, religious advancement, and hopes for wealth, long life, and well-being. Special installations include displays detailing the process of Nepalese lost-wax metal casting and the stages of creating a thangka. A Tibetan shrine cabinet presents how these objects would be displayed in a traditional household shrine.

This traveling exhibition is organized and provided by the Rubin Museum of Himalayan Art and curated by Senior Curator of Himalayan Art Elena Pakhoutova. Gateway to Himalayan Art is an integral component of the Rubin Museum’s Project Himalayan Art, a three-part initiative that also includes the publication Himalayan Art in 108 Objects and a digital platform. Together they provide introductory resources for learning about and teaching Himalayan art. 

Celebrate the opening of the exhibition and support the UMFA’s work at a preview party on February 14, 2025.


Gateway to Himalayan Art: Looking Guide - English


This exhibition is organized and provided by the Rubin Museum of Himalayan Art.   

A graphic text logo in blue that says "Rubin Museum of Himalayan Art"

Presenting Sponsor:

Virginia Barlage

Curatorial Sponsor:

George S. and Dolores Doré Eccles Foundation

Installation Sponsor:

Stephanie and Tim Harpst & The Tozer Endowment for Special Exhibitions

Programming Sponsor:

Thomas and Mary S. McCarthey

Community Advisor:

Utah Tibetan Association


Leadership support for Project Himalayan Art is provided by the Henry Luce Foundation.

Project Himalayan Art has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom.

This project was made possible in part by the Institute of Museum and Library Services MA-253379-OMS-23.

This project is supported in part by the National Endowment for the Arts.

Lead support is provided by the Ellen Bayard Weedon Foundation, Bob and Lois Baylis, Barbara Bowman, the E. Rhodes & Leona B. Carpenter Foundation, Noah P. Dorsky, Fred Eychaner, Christopher J. Fussner, the Estate of Lisina M. Hoch, Matt and Ann Nimetz, The Randleigh Foundation Trust, Shelley and Donald Rubin, and Jesse Smith and Annice Kenan.

Major support is provided by Daphne Hoch Cunningham and John Cunningham, Stephen and Sharon Davies, the Edward & Elizabeth Gardner Foundation, Mimi Gardner Gates, Hongwei Li, Max Meehan, the Monimos Foundation, Edward O’Neill, The Prospect Hill Foundation, Sarah and Craig Richardson, Rossi & Rossi, Basha Frost Rubin and Scott Grinsell, the Andrew Sabin Family Foundation, Namita and Arun Saraf, Eric and Alexandra Schoenberg, Eileen Caulfield Schwab, UOVO, and Sandy Song Yan, and the Zhiguan Museum of Art.

Special Support is provided by:

Dr. Bibhakar Sunder Shakya, to honor the memory and legacy of Professor Dina Bangdel, art historian, curator, cultural activist, and educator from Nepal.

Samphe and Tenzin Lhalungpa, to honor the memory and works of L.P. Lhalungpa, Tibetan scholar, broadcaster, and educator.

A grid of five full-colored logos.
Stories of Noble Deeds (Avadana), Central Tibet; late 18th-19th century, Pigments on cloth, Rubin Museum of Art, Gift of the Shelley & Donald Rubin Foundation, F1996.27.1 (HAR 494)