A colorful thangka

Art Conservation Talk: Ann Shaftel  
"Thangkas in Museums, Private Collections, Monasteries, and their Communities"
Wednesday, April 2, 2025 | 6 pm | Free
in the Dumke Auditorium at the UMFA

Thangkas lead different lives depending on where they live. 

Museums can offer non-traditional aesthetics and presentation, combined with the benefits of a technical approach to preservation. Is a thangka still sacred if it is out of the original context? 

While thangkas in private homes and collections depend on the choices made by the owners in monasteries and their communities, thangkas are sacred art, with respectful, traditional usage, and centuries-old traditions. 

This richly illustrated talk shares exquisite and powerful thangkas in traditional and nontraditional locations, and provokes questions about technical preservation and traditional respect for thangkas worldwide.  

Meet the Presenter:

A photo of Ann Shaftel from the chest up. She is standing next to a colorful painting.
Ann Shaftel MSc, MA

Ann Shaftel MSc, MA, is Fellow of the American Institute for Conservation, Fellow of International Institute for Conservation, and a member of the Canadian Association of Professional Conservators, ICOM and ICOMOS.  

Since 1970, Ann has worked internationally for conservation of Buddhist art with museums, universities, monasteries, and communities. Her work is referenced by international scholars and advised by Buddhist teachers.  

Ann’s work with thangkas in the Rubin collection began before the Rubin Museum was opened, with conservation treatment of thangkas in the private and corporate collections of Shelley and Donald Rubin. 


Logos for the University of Utah Art and Art History Department and The University of Utah Asia Center

Programming Sponsor:

Thomas and Mary S. McCarthey

The exhibition Gateway to Himalayan Art is organized and provided by the Rubin Museum of Himalayan Art.   

A graphic text logo in blue that says "Rubin Museum of Himalayan Art"


Bodhisattvas Maitreya and Manjushri in Tushita Pure Realm, The One of Loving Kindness, Maitreya Tibet; early 20th century, Pigments on cloth, Rubin Museum of Himalayan Art, C2002.21.3 (HAR 65114)