A landscape painting depicting California's coastline in vivid colors and expressive brush strokes.

Blue Grass, Green Skies: American Impressionism and Realism from the Los Angeles County Museum of Art
and Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography
August 24, 2024 - December 29, 2024

Starting August 24, the UMFA will present two stunning exhibitions concurrently to draw attention to the cyclical dialogue between painting and photography in the late 19th and early 20th centuries. During this period, photographers manipulated their images at various stages of production to imitate painterly effects, while painters worked and reworked their oils to imitate the immediacy of photography, demonstrating a remarkable reciprocity between these two art forms.

Blue Grass, Green Skies: American Impressionism and Realism from the Los Angeles County Museum of Art is an exhibition that highlights seventeen paintings by some of the most esteemed Realists and Impressionists. The roster includes Americans active in Europe like Mary Cassatt in France, East Coast denizens like Childe Hassam and John Henry Twachtman, and Californians like William Wendt and Granville Redmond.

Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography celebrates an intrepid group of photographers, led by preeminent photographer Alfred Stieglitz, who fought to establish photography as fine art, coequal with painting and sculpture at the turn of the 20th century.

Don't miss this opportunity to view these two incredible exhibitions side by side!


F. CHILDE HASSAM (AMERICAN, 1859-1935) POINT LOBOS, CARMEL, 1914, OIL ON CANVAS, 28 5/16 X 36 3/16 IN., MR. AND MRS. WILLIAM PRESTON HARRISON COLLECTION, 29.18.2